Sandro BotticelliItalian Early Renaissance Painter, 1445-1510 | |||
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Madonna and Child with an Angel Måleriet identifieringen:: 62396 Titta min galleri i Sverige |
Madonna and Child with an Angel 1465-67 Tempera on panel, 87 x 60 cm Spedale degli Innocenti, Florence It is possible that this somewhat awkward painting of the Madonna was produced while Botticelli was still working in the workshop of his teacher, Filippo Lippi. The initial inspiration for the painting came from the latter's famous Madonna in the Uffizi. Botticelli replaced the landscape with an arched architecture which frames the heads of the mother and child and emphasizes the two main figures as the centre of the devotional scene 1465-67_Tempera_on_panel,_87_x_60_cm_Spedale_degli_Innocenti,_Florence_It_is_possible_that_this_somewhat_awkward_painting_of_the_Madonna_was_produced_while_Botticelli_was_still_working_in_the_workshop_of_his_teacher,_Filippo_Lippi._The_initial_inspiration_for_the_painting_came_from_the_latter's_famous_Madonna_in_the_Uffizi._Botticelli_replaced_the_landscape_with_an_arched_architecture_which_frames_the_heads_of_the_mother_and_child_and_emphasizes_the_two_main_figures_as_the_centre_of_the_devotional_scene |
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Holy Trinity Måleriet identifieringen:: 62398 Titta min galleri i Sverige |
Holy Trinity 1491-93 Tempera on panel, 215 x192 cm Courtauld Institute Galleries, London The altarpiece shows the Holy Trinity with Mary Magdalene, St John the Baptist and Tobias and the Angel The Holy Trinity appears as a vision between the penitent saints Magdalene and John in a bleak desert landscape. The Baptist is inviting the observer to worship the Trinity, and Mary Magdalene is turning to face it full of emotion. The exhausted figure of the penitent, a late work of Donatello's, had a decisive influence on Botticelli's Magdalene. The penitent sinner was the patron saint of the nuns' monastery of the Magdalenes, and this pala or altarpiece was ordered for their church. The figures of Tobias and the angel are very small compared to the others. They might be a reference to the donors of the altar, the guild of doctors and apothecaries: archangel Raphael was their patron saint 1491-93_Tempera_on_panel,_215_x192_cm_Courtauld_Institute_Galleries,_London_The_altarpiece_shows_the_Holy_Trinity_with_Mary_Magdalene,_St_John_the_Baptist_and_Tobias_and_the_Angel_The_Holy_Trinity_appears_as_a_vision_between_the_penitent_saints_Magdalene_and_John_in_a_bleak_desert_landscape._The_Baptist_is_inviting_the_observer_to_worship_the_Trinity,_and_Mary_Magdalene_is_turning_to_face_it_full_of_emotion._The_exhausted_figure_of_the_penitent,_a_late_work_of_Donatello's,_had_a_decisive_influence_on_Botticelli's_Magdalene._The_penitent_sinner_was_the_patron_saint_of_the_nuns'_monastery_of_the_Magdalenes,_and_this_pala_or_altarpiece_was_ordered_for_their_church._The_figures_of_Tobias_and_the_angel_are_very_small_compared_to_the_others._They_might_be_a_reference_to_the_donors_of_the_altar,_the_guild_of_doctors_and_apothecaries:_archangel_Raphael_was_their_patron_saint |
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Study of two standing figures Måleriet identifieringen:: 62400 Titta min galleri i Sverige |
Study of two standing figures 1475 Metal point on primed paper, white highlights, 165 x 100 mm Mus?e des Beaux-Arts, Lille This study is one of the few remaining drawings directly related to a painting by Botticelli. The artist, who to judge by the style may have been Botticelli's student Filippino Lippi, was testing the posture and stance of the two young men who can be seen at the front left in the Adoration of the Magi. There are differences in the head and hand positions of the figure at the rear, so that it is likely that this work was produced as part of the preparations for that group of figures 1475_Metal_point_on_primed_paper,_white_highlights,_165_x_100_mm_Mus?e_des_Beaux-Arts,_Lille_This_study_is_one_of_the_few_remaining_drawings_directly_related_to_a_painting_by_Botticelli._The_artist,_who_to_judge_by_the_style_may_have_been_Botticelli's_student_Filippino_Lippi,_was_testing_the_posture_and_stance_of_the_two_young_men_who_can_be_seen_at_the_front_left_in_the_Adoration_of_the_Magi._There_are_differences_in_the_head_and_hand_positions_of_the_figure_at_the_rear,_so_that_it_is_likely_that_this_work_was_produced_as_part_of_the_preparations_for_that_group_of_figures |
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venus fodelse Måleriet identifieringen:: 64751 Titta min galleri i Sverige |
venus fodelse ca, 1485. galleria degli uffizi, florens se ca,_1485. galleria_degli_uffizi,_florens se |
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Madonna del Magnificat Måleriet identifieringen:: 74131 Titta min galleri i Sverige |
Madonna del Magnificat Date Deutsch: um 1483-1485 English: c. 1483-1485 cyf Date_Deutsch:_um_1483-1485 English:_c._1483-1485_ cyf |
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| Föregående Konstnär Nästa Konstnär | ||||||||||
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| Sandro Botticelli | ||||||||||
| Italian Early Renaissance Painter, 1445-1510 | ||||||||||
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